
Encyclopedia Mandolinnica
On Encyclopedia Mandolinnica, Champion Mandolinist Ethan Setiawan catalogs the possibilities of his instrument
On his new record, “Encyclopedia Mandolinnica”, award-winning instrumentalist Ethan Setiawan explores the many possibilities of mandolin music through duets and trios with his friends, mentors, and heroes. “The record attempts to be as descriptive as possible about as many aspects of the mandolin as possible - kind of like an encyclopedia.” explains Setiawan, “I think it also leaves the door open for some appendixes…there may even be further volumes...” Taking inspiration from albums like Darol Anger’s “Diary of a Fiddler”, and Mike Barnett’s “+1”, which are both made up of fiddle duets with a variety of collaborators, the breadth of Setiawan’s ambitious project is brought into focus through a stripped-down mandolin ensemble format, allowing the instrument itself to take center stage.
Originally from Goshen, Indiana, Ethan Setiawan tried out numerous instruments before finding his way to the mandolin, making a name for himself when he won both the National Mandolin Championship in Winfield, KS and the Rockygrass Mandolin Championship. He attended Berklee College of Music on a full scholarship. Years later, Setiawan has become a leading voice of the mandolin, his path wending its way through traditional bluegrass, to Bach partitas, and free jazz. He performs regularly with his progressive bluegrass band Fine Ground, and Scottish fusion duo Hildaland. His previous solo albums “Flux” and “Gambit” (produced by Darol Anger) were made up of original tunes drawing from all these wells, but employed a more traditional full band format.
“I like variety, having lots of different music to work on is interesting to me,” Setiawan explains. “I might fall under the category of having too many different things going on actually…but I think it helps that the projects I work on are all distinct from one another. I have a progressive bluegrass band, a Scottish/folk duo, and a Latin jazz string band. Each project calls on different aspects of my musicianship, and this record is different from all of them again!”
On “Encyclopedia Mandolinnica”, Setiawan duets with some of his past teachers, such as Don Stiernberg and Mike Marshall, both foundational to the mandolin’s place in current folk music. He also worked with players who are in the process of forging their influence on the instrument, like classical mandolinist Caterina Lichtenberg, Watchhouse frontman Andrew Marlin, and Scottish folk star Laura-Beth Salter. A notable moment on the record is an octave mandolin trio with Sharon Gilchrist and Darol Anger, called “Back At It,” a mid-tempo number that showcases the emotive melodic possibilities of the instrument in a lower register and the tasteful restraint of three powerhouse musicians. Contrastingly, on “Blazing Star” Setiawan duets with Jacob Jolliff in lightning-fast, virtuosic conversation. “I did a better job of keeping the full picture in mind during the process for this record,” Setiawan explains. “I was thinking, ok do we have a fast tune? A slow tune? What else does this record need to make it all work together?”
Setiawan recorded and mixed the album himself over a year, allowing him to gain perspective and clarity on each tune and session before moving on to the next. “Spreading the sessions out was an interesting way to make a record” he says, “and not a way I’d ever made one before. The space between individual sessions let me think a lot about how the record was shaping up and make repertoire or arrangement decisions based on what had already happened.”
With “Encyclopedia Mandolinnica,” Ethan Setiawan has added a collection of foundational mandolin music to his already illustrious recording catalog. A musician whose thirst for knowledge and exploration is never sated, Setiawan shows once again that he is always interested in reaching for the next challenge.
Artwork by Mike Cox
Notes on the recordings
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This is a tune that I started in my friends Pete & Sally’s flat in Glasgow, Scotland on Victoria Road. Mike came up with the countermelody to the intro.
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This tune at least partially came out of the idea of modal interchange, or using chords from other modes of the same tonic. Matt uses this to great effect in his tune “Red Shift” off of the record “The View From Here”. The B part came from working on crosspicking through chords and connecting them with slides.
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This record might contain the largest percentage of tunes in Eb of any mandolin record, and we’ll start that train off with this tune that came out of working through some double stops.
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This one’s for the Fogels, at who’s cabin in Vermont I spent a couple of great New Years’, and who smoke the most delicious meat at all hours at festivals in the Northeast.
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One of a few tunes I’ve started without a mandolin in hand. Brothers & Sisters is a great little café in Brookline, MA. It turns out writing counterpoint in a busy café during the lunch hour is a great exercise for the ear. This started as a duet for me & Cat, but when Mike Marshall is in the room with a mandocello, you write the man a bass line.
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The oldest tune on the record, this one got started back in 2017 in Rockingham County in Virginia at my first music theory teacher’s house. It got a key change and some new chords for this outing.
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A couple years ago, my friend Nicky Murray ran a songwriting accountability group. There was an elaborate system along the lines of “three strikes and you’re out”, but you actually had a fourth try after that…it was very sophisticated. One had to submit something every Sunday to a group chat, and this is a tune I came up with during that time. It’s one of a couple tunes which have come out of playing in cross – mandolin tuned AEAE. Along with sounding great, I find cross tuning to be wonderful for creativity and getting out of one’s comfort zone. Moriah was kind enough to humor me and tune up as well.
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The first several notes I played after taking a month off from playing the mandolin became the seed for this tune. Darol has always been very encouraging of my playing the octave mandolin, which has become a big part of my musical ethos over the past 6 years or so. Who better than Sharon & Darol to venture forth with an octave mandolin trio with? Just what the world needs more of.
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A favorite standard of mine. I took lessons from Don all the way through high school after connecting with him at the Mandolin Symposium in Santa Cruz, CA. I would make the trek from Northern Indiana up to Chicago for multiple-hour long lessons. I owe him quite a lot for setting me up superbly well for a life in music. It was a total pleasure to get to collaborate on this tune.
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Another older tune, from 2018. This one is thanks to a scale (Re pentatonic) used commonly in oldtime music, brought to my attention by an assignment for Mark Simos’s tunewriting class at Berklee. I didn’t quite do the assignment right – see if you can find the outlying note – but I still like the tune thankfully. Recorded near Andrew’s home in Chapel Hill NC, on a hill, fittingly.
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As part of my study of Scottish music over the past couple years, I set off to write a strathspey. I may have ended up with more of a march, but I suppose it’s the thought that counts. I named the jig for the great Jim Shenk, who’s 5 string electric mandocello I was playing when I came up with the melodic seed.
Ethan played a 1996 Monteleone Grand Artist mandolin, a 2012 Bayard mandola, a 2019 Northfield archtop octave mandolin, and a 2016 Jim Shenk electric 5 string mandocello.
Mike Marshall played a 1981 Monteleone mandocello and a February 18th, 1924 Gibson Lloyd Loar F5 mandolin
Matt Flinner played a 1993 Gilchrist F5 mandolin
Jacob Jolliff played a 2017 Gilchrist F5 mandolin
Joe K. Walsh played a 2017 Northfield archtop octave mandolin
Caterina Lichtenberg played a 2014 Alfred Woll mandolin
John Reischman played a February 18th, 1924 Gibson Lloyd Loar F5 mandolin
Moriah Ozberkmen played a 2015 Kimble F5 mandolin
Sharon Gilchrist played a 2003 Old Wave octave mandolin
Darol Anger played a 2008 Clark octave mandolin
Don Stiernberg played a 1996 Nugget 2 point mandolin
Andrew Marlin played a February 18th, 1924 Gibson Lloyd Loar F5 mandolin
Laura-Beth Salter played a 2005 Capek F5 mandolin
Ethan recorded with a 1.5mm Torlon pick, other than:
”I Hear A Rhapsody” recorded with a Pro Plec pick, “Rockingham Waltz” and “Big Hill” recorded with a 1.38mm tortoise shell pick
Both Ethan & Moriah tuned to AEAE for “Slurpee”
Mandolinistic notes
Ethan’s mandolin and mandola was recorded with a Neumann KM84, save “Rockingham Waltz” which was recorded with a Neumann U87. Ethan’s octave mandolin on “Back At It” was recorded on a Mojave 201. 5 string electric mandocello on “I Hear A Rhapsody” was recorded through a Fender Princeton Reverb with a Beyer m201 and a Royer 121, as well as a KM84 acoustically.
Guest micing is as follows:
Mike Marshall, Caterina Lichtenberg, Joe K. Walsh, and Andrew Marlin used Neumann KM84s
Matt Flinner used a Neumann KM85
Laura-Beth Salter used an Oktava 012
Sharon Gilchrist used a Pearlman TM-1
Darol Anger used a Roswell K47
Moriah Ozberkmen and Don Stiernberg used Telefunken M60s
Jacob Jolliff used a Peluso 84
John Reischman used a Neumann U87
For the duos, Ethan is panned to the left and the guest to the right. On “Brothers & Sisters” the panning order L-R is Ethan, Mike, Caterina. On “Back At It”, the order L-R is Sharon, Ethan, Darol.
Technical notes
Ethan Setiawan: mandolin, mandola, octave mandolin, 5-string electric mandocello
Matt Flinner, Jacob Jolliff, Caterina Lichtenberg, John Reischman, Moriah Ozberkmen, Don Stiernberg, Andrew Marlin, Laura-Beth Salter: mandolin
Mike Marshall: mandolin, mandocello
Joe K. Walsh, Sharon Gilchrist, Darol Anger: octave mandolin
“Forecast”, “Mount Holly”, & “Shenk’s” recorded by Ethan in Ripton VT, Portland ME, and Glasgow Scotland respectively
“Slurpee” & “I Hear A Rhapsody” recorded by Dan Cardinal at Dimension Sound Studios, Jamaica Plain MA
“Victoria” & “Brothers & Sisters” recorded by Reinhard Finke at Valve Records, Solingen DE
“Blazing Star” recorded by Andrew Ryan, Brooklyn NY
“Back At It” recorded by Ethan, Darol Anger, and Sam Leslie at AFM Local 257 Cooper Rehearsal Hall, Nashville TN
“Rockingham Waltz” recorded by Ian Gorman at La Luna Recording & Sound, Kalamazoo MI
“Big Hill” recorded by Jerry Brown at The Rubber Room, Chapel Hill NC
Mixed by Ethan Setiawan at Sassafras Hill Productions, Cornish ME
Mastered by Dave Sinko, Nashville TN
Artwork by Mike Cox, Jug Hill Gallery, Cornish ME
Design by Louise Bichan, Cornish ME
Photography by Louise Bichan
Released by Adhyâropa Records, New York, NY
Ethan Setiawan plays a Northfield octave mandolin and uses Pinegrove Leather straps.
All music composed by Ethan Setiawan (Mandosepeda ASCAP) save “I Hear A Rhapsody”, composed by George Fragos, Jack Baker, and Dick Gasparre
Credits
Thanks to all these mandolinists who were gracious enough to learn my tunes and work though them: Mike Marshall, Matt Flinner, Jacob Jolliff, Joe K. Walsh, Caterina Lichtenberg, John Reischman, Moriah Ozberkmen, Sharon Gilchrist, Darol Anger, Don Stiernberg, Andrew Marlin, & Laura-Beth Salter. I’m very lucky to know all these folks, and even luckier that they were up for this. The engineers: Reinhard Finke and Valve Records, Sam Leslie, Dan Cardinal and Dimension Sound Studios, Andrew Ryan, Ian Gorman and La Luna Recording & Sound, Jerry Brown & The Rubber Room. Everyone who helped with recording and mastering: Dave Sinko, Jonas Eule, Suzanne Houston, & the Flinner family. Without all those folks we’d be a lot quieter and sound much worse. The luthiers: John Monteleone, Bayard Blain, Adrian Bagale & the rest of the crew at Northfield Instruments, Jim Shenk, Bill Bussmann, Austin Clark, Orville Gibson, Steve Gilchrist, Mike Kemnitzer, Will Kimble, Lloyd Loar, & Alfred Woll. It’s a joy and a gift to play these beautiful instruments day in and day out. Thanks to Mike Cox at Jug Hill Gallery for beautifully interpreting this music through his unique view of the world. And Louise Bichan, for putting it all together, and everything else. Thanks to Joe Brent & everyone at Adhyâropa Records; doing so much to help get music out in the world. Finally, Fran & Amy, Nicky Murray, Mike Fogel & the Fogel family, Kathryn Schmidt, Sally Simpson & Pete Levens, and Mark Simos.